Added by Deborah Meyer on November 20, 2007 at 10:09am —
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Music from Around the World
Jodi Lemmon and Deborah Meyer
Wilson Middle School
Every other day for 50 min
Aug 14/15
america (jazz, blues, rock, musicals)
overview
listen, play, compose
Sept
america (jazz, blues, rock, musicals)
dynamics/style
listen, play, compose
Sept 3 Labor Day
Oct
africa
rhythms
listen, play, compose
Oct 12-15 Fall Break
Nov
Hispanic/latino
melody/form
listen, play, compose
Nov 12 Veteran's Day (no school)
Nov 22/23 Turkey Day
Dec 23
hispanic/latino
melody/form
listen,…
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Added by Deborah Meyer on November 20, 2007 at 8:59am —
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1. What were the musical constraints of working with another student's sound block?
It was hard to know what the original thought process was and why they chose those sounds. Then you have to just go with the flow and create something without thinking about those needs to a certain extent. It was interesting to create that muscial story with just pieces.
2. What were the technological constraints of composing in GarageBand?
There really weren't any that I came across because I have a good kno…
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Added by Deborah Meyer on November 6, 2007 at 10:41am —
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1. I couldn't add any more sounds or loops that I wanted to add. So I was left to what I was given by another individuals taste. I also didn't couldn't move existing sounds to where I wanted them to occur so I was stuck with what I could salvage.
2. In garage band, there are only the loops that you are given. There are places you can download other loops, but that is just really time consuming. Sometimes I couldn't find a specific loop that would fit the style I was looking for. In composing an…
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Added by Chad Roscoe on November 6, 2007 at 8:32am —
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1. I had to work with what he gave me. There seemed to be a lot of different sounds that didn’t all fit together in my mind. The hardest to fit in was a pre-recorded track that already had voices, percussion, and everything else in it.
2. If you aren’t savvy with a keyboard, yo
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Added by Lisa Wallyn on November 6, 2007 at 7:57am —
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One of the toughest things about working with another student's compositional choices would have to be not being able to add sounds or loops that could enhance the track even more. Working with only what was given was difficult if the themes didn't fit well together or tempos were clashing with one another.
One thing that was difficult to do in GarageBand was accuracy. Since grooves were pretty much predetermined and could only be adjusted
…
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Added by Jason Caudill on November 5, 2007 at 11:40pm —
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1. I didn't find many constraints while working with another student's sound block. It was really interesting to hear what another person composed on garage band, since there's so many different sound/music clips. I didn't want to change their garage band composition too much because it sounded great. I made some volume changes, but not too much otherwise.
2. Since I've already worked with garage band before (in midi basics class), I didn't have many technological difficulties with it.
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Added by Michelle B on November 5, 2007 at 10:47pm —
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1. It was difficult to work with Rina's sound block, because to me, it seemed like she had picked everything with a purpose and that it was very carefully organized. So, that was a problem, because it was very difficult to make it not sound like I had destroyed her work. So, that was a constraint, but it ended up being okay, I made it work.
2. It becomes difficult to create your own melodies and rhythmic ideas without taking up a lot of time. But, it is also fun to see what you can create while…
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Added by A.J. Miller on November 5, 2007 at 10:23pm —
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The musical constraint of working with another student’s sound block was the inability to add more sounds that may have been easier to work with. You were confined to the specific sounds that chosen, it was not necessarily your personal tastes chosen to work with. Some of the technological constrains of composin…
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Added by Ann Marie Ruble on November 5, 2007 at 10:05pm —
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The musical constraints were not being able to really create what you wanted. You had to try to mold the piece into something that you thought would fit stylistically and thought sounded good. One of the technological constraints of working in garage band was not being able to actually tap out a drum beat on a drum. Another technological constraint was just being able to work with those loops. I had to use a keyboard and it was pretty hard to get it to do what i wanted it to do. I would say that…
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Added by Erich Kendall on November 5, 2007 at 9:43pm —
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1. What were the musical constraints of working with another student's sound block?
Working with another student's sound block was difficult because I had to work with sounds that were not the ones I had put together. Each student chose very different blocks to put together. Michelle's tune consisted of organ, southern rock, and a couple different guitar riffs and drum beats. I had to listen a couple of times to get an id
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Added by Lindsay Huddleston on November 5, 2007 at 9:31pm —
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1. Some of the musical constraints that I ran into were not being able to put in my own loops. I had to be able to work with all the ones that my partner chose to put in there. I did like how we could delete some of the loops that we did not like or did not fit with our piece.
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Added by Chantel Rohdy on November 5, 2007 at 2:35pm —
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On the Ning site, create a personal blog post (on your "My Profile"
page) reflecting on your process of composing your aural sculpture with
GarageBand. Consider and answer the following questions, and feel free
to add other thoughts as you feel appropriate:
1. What were the musical constraints of working with another student's sound block?
One musical constraint was making sure that I didn't interrupt the flow of someone else's sound block. The other was making sure that the inst…
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Added by Jodi Lemmon on November 5, 2007 at 1:01pm —
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1. The only thing about doing the aural sculpture was that you didn't really get to pick the sounds. Since we switched and carved from someone else's ideas there really wasn't as much freedom in the whole style and feel of the piece.
2. I didn't really have any problems dealing with GarageBand technologically. I think it might be a little harder for middle schoolers to figure out how to use the software, but since we are all familiar with the software, I don't think it was that difficu
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Added by Andrea Mitchell on November 5, 2007 at 10:02am —
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1. What were the musical constraints of working with another student's sound block?
I had to whittle down and find the loops that fit together to make something logical. It actually was not that hard because he used a lot of similar sounds, such as orchestral strings.I personally didn't mind using what another student put together.
2. What were the technological constraints of composing in GarageBand?
I am not that savvy with the keyboard, so if I wanted to record so
…
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Added by Teresa Ulrich on October 31, 2007 at 9:41pm —
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1. Composing is usually very personal thing, but working with a block takes away a lot of that feeling. Using another's ideas prohibits a lot of original creativity, but at the same time incites creativity. Overall, it was hard taking someone's own ideas and making them my own.
2. Again, not being able to use my own ideas was hard. At times, there was a certain sound I wanted to hear but only had the sound garage band (and Erich) provided.
3. To an extent, being able only to w…
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Added by Matt Lindley on October 30, 2007 at 5:25pm —
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today school started out all wrong /
the same damn beat, a different drum /
mom slapped me with an open palm /
she'd been up all night drinkin' Rum //
went to school, forgot to trash my gum /
tried to hide it underneath the desk /
teacher caught me /
handed me my slip /
slunk to the Office and tried not to trip //
(refrain)//
sat down in that squishy chair /
principal sat and teased his hair /
'I can't believe you'd be apart of this /
lies, graffiti,and pointless hits. /
you and your friends…
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Added by Deborah Meyer on September 4, 2007 at 9:49am —
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Hi all,
I have created a collaborative mind map of our Abuse/Discipline music video project. Go to
http://www.bubbl.us. Login with the username: isumus393 and the password: sycamores. There you will be able to click on the Abuse/Discipline map and add to it. Please take a look at this over the weekend and add whatever you want to it. It's pretty easy to edit.
Over the weekend start thinking about lyrics and melodies... come to class on Tuesday ready to share t…
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Added by Alex Ruthmann on August 30, 2007 at 11:07am —
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Please read the following article and be ready to discuss it at our next class on Tuesday morning.
Finney, J. (2003).
From resentment to enchantment: What a class of thirteen year olds and their music teacher tell us about a musical education.
International Journal of Education and the Arts,
4(6).
As you read this article, think about what music education means to these students. Also, what do you think about the British sy…
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Added by Alex Ruthmann on August 24, 2007 at 9:47pm —
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In this class we will be spending time planning and teaching lessons designed for general & non-traditional music classes at the middle and high school levels. This semester we have a large enrollment and managing field placements and peer-teaching will be quite a challenge. But, I'm going to do my best to make it all work.
I will be posting the syllabus for MUS 393 on this site shortly, so please check back and download it.
You will need to purchase one book for this clas…
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Added by Alex Ruthmann on August 20, 2007 at 12:36am —
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